Of things unseen

I have remarked before that anyone who has spent any extended period living in Africa or Asia will have encountered people with strong beliefs, beliefs based on their own direct, personal experiences, in the existence of a non-material realm.   In many places, the overwhelming majority of people have such beliefs.  It may be that the majority of westerners, too, have had such experiences but our contemporary culture (pseudo-rationalist materialism arising from a Protestant disdain for the supernatural and pagan aspects of Catholicism) inhibits their public expression, or even, sometimes, their private recognition.

Strangely, my thoughts on this subject I find mirrored uncannily by Lafcadio Hearn (1850-1904), writing 120 years ago.  Here is Hearn, writing about Shintô temples in Japan and his reactions to the associated beliefs:

Why certain architectural forms produce in the beholder a feeling of weirdness is a question about which I should like to theorize some day; at present I shall venture  only to say that Shintô shrines evoke such a feeling.  It grows with familiarity instead of weakening; and a knowledge of popular beliefs is apt to intensify it.   We have no English words by which these queer shapes can be sufficiently described, – much less any language able to communicate the peculiar impression which they make.  Those Shintô terms which we loosely render by the words “temple” and “shrine” are really [page-break] untranslatable; — I mean that the Japanese ideas attaching to them cannot be conveyed by translation.  The so-called “august house” of the Kami is not so much a temple, in the classic meaning of the term, as it is a haunted room, a spirit-chamber, a ghost-house; many of the lesser divinities being veritably ghosts, — ghosts of great warriors and heroes and rulers and teachers, who lived and loved and died hundreds or thousands of years ago.  I fancy that to the Western mind the word “ghost-house” will convey, better than such terms as “shrine” and “temple,” some vague notion of the strange character of the Shintô miya or yashiro, — containing in its  perpetual dusk nothing more substantial than symbols or tokens, the latter probably of paper.   Now the emptiness behind the visored front is more suggestive than anything  material could possibly be; and when you remember that millions of people during thousands of years have worshiped their great dead before such yashiro, — that a whole race still believes those buildings tenanted by viewless conscious personalities, — you are apt also to reflect how difficult it would be to prove the [page-break] faith absurd.  Nay!  In spite of Occidental reluctances, — in spite of whatever you may think it expedient to say or not to say at a later time about the experience, — you may very likely find yourself for a moment forced into the attitude of respect towards possibilities.   Mere cold reasoning will not help you far in the opposite direction.  The evidence of the senses counts for little:  you know there are ever so many realities which can neither be seen nor heard nor felt, but which exist as forces, — tremendous forces.  Then again you cannot mock the conviction of forty millions of people while that conviction thrills all about you like air, — while conscious that it is pressing upon your psychical being just as the atmosphere presses upon your physical being.  As for myself, whenever I am alone in the presence  of a Shintô shrine, I have the sensation of being haunted; and I cannot help thinking about the possible apperceptions of the haunter.  And this tempts me to fancy how I should feel if I myself were a god, — dwelling in some old Izumo shrine on the summit of a hill, guarded by stone lions and shadowed by a holy grove. (Hearn 1897, pages 2-4)”

Reference:
Lafcadio Hearn [1897]: Gleanings in Buddha-Fields: Studies of Hand and Soul in the Far East. London, UK:   Kegan Paul, Trench, Trubner & Company Limited.

London life

Two buskers practicing, Tavistock Street, Covent Garden, London, this morning. They each had three skittles, and threw one up with their right hand at the first and second beat of three beats, while throwing a skittle to the other juggler on the third beat. The other juggler caught the thrown skittle with his left hand. They stopped practicing as soon as they saw me take this photo.
jugglers

Courage, honour, valour

For as long as I can remember, I have had to endure lectures from men in uniforms – policemen, soldiers, teachers, clerics – about courage and honour.  I recall a particular egregious lecture from a cleric on the cowardice of men who had long hair. (For next millennium readers, this was part of a larger argument accusing anyone not supporting US and Australian involvement in the second Indo-Chinese war of cowardice.  Of course, it required great courage for a 17-year-old conscript to openly confront such logically specious, and morally tendentious, nonsense.)   The forces of conservatism always accuse those who confront them of cowardice, it seems.
The Hillsborough coronial verdict shows just what true courage and valour and honour are:  It is fighting for justice against all odds, against the overwhelming sentiment of those in authority and of society in general, against friend and peer, as well as journalist and foe, against recalcitrant judges and lying policemen.  But courage is also admitting when one has made a poor decision, and bravely facing the consequences of that decision.  It is not too late for these men in uniform to finally reveal some courage and accept the consequences of their negligence, their lack of preparation, and their poor judgment.

Notes from Underground

For any fifth millennium readers, here are some incidents and observations from London’s Underground:

  • Northern Line, Barnet Branch, heading into London, a hot summer’s day in July 2022, about 10am: A middle-aged man reads a pocket-sized book. Beside him, a woman he does not know with a child of about three years, looks over his shoulder to see what he is reading, and then starts to recite aloud a poem. It is the Shakespearean Sonnet about a summer’s day, #18. After that, she then recites Sonnet #130, about the futility of comparisons. They discuss the Sonnets. She says she is an English teacher. She has an American accent.
  • Northern Line, East Finchley station, heading South, a weekend day in summer 2017, about 17.00: Two teenage boys, about 14 or so years old, ride skateboards down the footpath on the High Street to the Station, riding around pedestrians and bantering as they go.  They enter the station and join the first train south, boisterously and loudly sitting across from each other and still engaging in banter.  They are not hurting anyone, but some of the older passengers seem offended or scared.  Into the same carriage a young woman with a baby in a pram also enters and she sits on a fold-down seat in the middle of the carriage, with the pram beside her.  She forgets to lock the wheels of the pram.  So, as the train starts off, the pram rolls backwards, towards the two boys. Immediately, both boys leap up to grab it from their seats on opposite sides of the aisle.  As they return it to the woman, the look in her eyes is one of great relief.
  • Northern Line, Bank branch, heading north, Saturday 2016-04-09, 21.35: A dozen drunk young women board the train at Old Street, all but one dressed as elderly women, with wigs, granny glasses, handbags, etc.  One is dressed in pyjamas and a dressing gown – presumably she is the bride-to-be.  Several carry large plastic penises.  They are loud and boisterous, but good-natured.  The gentleman sitting opposite, a dapper man in his 60s with a thin moustache, dressed in a suit and tie, with a flower in his lapel and a silk handkerchief in his top pocket, awakes from his slumber. It turns out that he too is drunk, and, in a loud Irish accent, he engages the women. Banter is exchanged, and there are smiles and laughter the length of the carriage. The women detrain at Kings Cross, the Irish gent following them.  Was that his planned stop, one wonders?  What does it say about our culture that a young person seeking to act trangressively dresses as a very elderly person?
  • Northern line, London Bridge station, northbound platform, a Friday evening in February 2014, around 23.30: the platform is empty apart from a group of 8 men in suits and ties, in their early 20s, huddled in a close circle with arms around one another. They are taking turns to ingest something, each throwing his head back as he does.
  • Northern line, Charing Cross branch, heading south, a station between Euston and Embankment, a cold winter’s morning in winter 2012-2013, all the seats in the carriage taken, but the aisle free: a passenger stands up to detrain as the train stops. Apparently his gloves had been sitting in his lap and these are thrown off in different directions as he stands up. He does not see this and moves to leave. Both gloves are caught superbly by other passengers seated opposite and on different sides of him, and one of these passengers shouts at him. He turns and both gloves are thrown back to him.  He catches both and shouts his thanks. The scene looked choreographed and rehearsed, so perfect are the four arcs of the flying gloves and the catches.

Possible Worlds

This is a list of movies which play with alternative possible realities, in various ways:

  • It’s a Wonderful Life [Frank Capra, USA 1947]
  • Przypadek (Blind Chance) [Krzysztof Kieslowski, Poland 1987]
  • Lola Rennt (run lola run) [Tom Tykwer, Germany 1998]
  • Sliding Doors [Peter Howitt, UK 1998]
  • The Family Man [Brett Ratner, USA 2000]
  • Me Myself I [Pip Karmel, Australia 2000]

On the topic of possible worlds, this post may be of interest.

London Life: Ethereum DevCon1

Gibson Hall, London, venue for DevCon1, 9-13 November 2015.  There was some irony in holding a conference to discuss technology developments in blockchains and distributed ledgers in a grand, neo-classical heritage-listed building erected in 1865. At least it was fitting that a technology currently taking the financial world by storm should be debated in what was designed to be a banking hall (for Westminster Bank). The audience was split fairly evenly between dreadlocked libertarians & cryptocurrency enthusiasts and bankers & lawyers in smart suits: cyberpunk meets Gordon Gekko.

Musical Instrument Museums

For reasons of record, here is a list of musical instrument museums, ordered by their location:

  • Athens, Greece: Museum of Popular Musical Instruments
  • Berlin, Germany: Musikinstrumenten Museum
  • Brussels, Belgium: Musical Instrument Museum
  • Monte Estoril, Portugal: Museum of Portuguese Music, Casa Verdades de Faria
  • New York, NY, USA: Metropolitan Museum of Art
  • Phoenix, AZ, USA: Musical Instrument Museum
  • Rome, Italy: Museo di Strumenti Musicali dell’Accademia Nazionale di Santa Cecilia
  • Vermillion, SD, USA: National Music Museum, University of South Dakota
  • Vienna, Austria: Collection of Historic Musical Instruments, Kunsthistorisches Museum

Why read?

Why do we read? Many people seem to assume that the only reason for reading is to obtain information about the world. With this view, reading fiction is perhaps hard to justify. But if one only reads to learn new facts, then one’s life is impoverished and Gradgrindian. Indeed, this reason strikes me as like learning to play the trumpet in order to have a means to practice circular breathing.
In fact, we read for many other reasons than just this one. One could say we primarily read novels for the pleasure that reading them provides:

  • the pleasure of reading poetic text (as in the novels of Hardy, Joyce or Faulkner, for instance)
  • the pleasure of reading elegant, finely-crafted prose (eg, Fanny Burney, Doris Lessing, Perec, Brautigan, the English translations of the books by Zhores and Roy Medvedev)
  • the pleasure of engaging in deductive reasoning (any detective or espionage novel)
  • the pleasure of imagining alternative societal futures (scifi), presents (political thrillers, espionage novels), or pasts (historical fiction)
  • the pleasure of being scared (crime thrillers, horror stories)
  • or the pleasure of parsing an intricate narrative structure (eg, Calvino, Fowles, Murnane, Pynchon).

These various pleasures are very distinct, and are orthogonal to the desire to gain information about the world. And some of these pleasures may also be gained from reading non-fiction, for example the finely-honed journalism of Lafcadio Hearn or AJ Liebling or Christopher Hitchens, or the writing of Oliver Sacks, who passed on today.