Concert Concat 2

This post is one in a sequence which lists live music I have heard, as best my memory allows, from the Pandemic onwards. I will update this as time permits. In some cases, I am also motivated to write about what I heard.

Other posts in this collection can be found here.

  • Emmanuel Despax – Bach/Busoni’s Chaconne and Chopin’s 24 Preludes. Solo recital at St John’s Church Waterloo, London, 26 November 2023.
    This was a profoundly intense and deeply moving performance. The interior of this church was refurbished in a (very beautiful) minimalist, modernist style after lockdown, with limited decoration, so the acoustics can sometimes be austere. Sitting at the front for this performance, I did not feel this at all.
  • Continue reading ‘Concert Concat 2’

Acknowledgments of Country

It has become commonplace in the last two decades for public meetings or gatherings in Australia or of Australians elsewhere in the world to open with an Acknowledgment of Country statement. This is a statement thanking the traditional indigenous community who inhabited the land on which the meeting is being held, and (usually) expressing respect to the traditional elders, past, present and emerging, of that community. Last night, for instance, a panel discussion held at King’s College London on the topic of the upcoming Voice Referendum began with such statements from several of the invited speakers acknowledging traditional custodians of parts of Australia where where they had grown up or studied. I have also witnessed such statements at private meetings and internal organizational meetings in Australia, even when these events were held online.
Continue reading ‘Acknowledgments of Country’

The personality of Robert Mugabe

I have remarked before that Robert Mugabe was one of the best orators I have ever heard. I am not alone in having been impressed. Below is an assessment of Mugabe’s oratory and personality, by Zimbabwean journalist Jan Raath, published in The Times (London), 12 November 2017, under the headline, “Forty years ago, I too was beguiled by Robert Mugabe, the young guerrilla leader”.

I will treasure the events of yesterday afternoon for the rest of my life. I had driven to the Harare international conference centre to hear a rather dry debate on the impeachment of Robert Mugabe, the man I have been covering for this newspaper since 1975.
Continue reading ‘The personality of Robert Mugabe’

Recent Reading 20

The latest in a sequence of lists of recently-read books, listed in reverse chronological order.

  • Timothy Garton Ash [2023]: Homelands: A Personal History of Europe. Vintage Digital. The most interesting parts of this book are the anecdotes about political events to which the author was a close witness or even participant. The least interesting are the long discursions, more prevalent in the second half of the book, into abstract political theory, unremitted by anecdote and untethered to fact.
  • Anatole Leikin [2016]: The Mystery of Chopin’s Préludes. Routledge. [Hat Tip to KM for inspiring me to explore Chopin’s Preludes.] Chopin wrote the collection of 24 Preludes (one in each key) in 1838-1839 while staying in part of a former monastery on Mallorca, time which he spent with the writer Amantine Lucile Aurore Dupin de Francueil (aka George Sand). Leikin argues that the 24 pieces were composed as a set, in pairs, with each odd-numbered piece (each of which is in a major key through a cycle of 5ths) being intended as a prelude or preparation to the following even-numbered piece (each of which is in the relative minor of the major key before it), in imitation the Gothic poem cycle Les Preludes of French poet Alphonse de Lamartine. It is hard for us now, 190 years later, to appreciate the hold that ideas of the Gothic had on educated minds at that time in the 19th century.

    Moreover, the book argues that Chopin repeatedly uses variants of the music of the medieval Dies Irae Gregorian chant from the Catholic Requiem service in the pieces. So one interpretation of the collection is that they are intended as mental and emotional preparations for, or reflections upon, death.

  • Continue reading ‘Recent Reading 20’

Mountains of memory

Posting some time ago from Tyalgum, in the shade of Mount Warning, led me to think of the mountains that figured in my life. Herewith a list:

  • Ashby Hill
  • Black Mountain/Galambary
  • Mount Barney
  • Clarence Peak
  • Mount Coot-tha
  • Mount Diablo
  • Glass House Mountains
  • Montjuïc
  • The Kopje
  • Mount Kosciuszko
  • Mount Lindesay
  • Mount Nardi
  • Mount Nyangani
  • Montparnasse
  • Mount Rainier
  • Soracte
  • Khan Tengri
  • Mount Tibrogargan
  • Mont Valerian
  • Mount Warning

Concert Halls

Herewith a list of concert halls and venues in which I have been fortunate to experience musical performances (excluding working Churches).

  • The Barbican Concert Hall, London
  • Bridgewater Hall, Manchester
  • Brisbane City Hall, Brisbane
  • Cadogan Hall, London
  • Casino Civic Hall, Casino, NSW
  • City Recital Hall, Sydney
  • Sir John Clancy Auditorium, University of New South Wales, Sydney
  • Ballroom, Corinthia Hotel, London
  • Salle de Flagey, Brussels
  • Salle Gaveau, Paris
  • Hamburgische Staatsoper, Hamburg
  • Hamer Concert Hall, Melbourne
  • Ipswich Civic Hall, Ipswich, QLD
  • King’s Place, London
  • Leggate Theatre, University of Liverpool, Liverpool
  • City Hall, Lismore, NSW
  • Llewellyn Hall, Canberra School of Music, Canberra, ACT
  • LSO St Luke’s, London
  • Auditorium, Maison de la Radio et de la Musique, Paris
  • Melba Hall, Melbourne Conservatorium of Music, Melbourne
  • Milton Court Concert Hall, Guildhall School of Music, London
  • Auditorium, St Joseph’s Nudgee College, Nudgee, Brisbane
  • Purcell Room, South Bank Centre, London
  • Duke’s Hall, Royal Academy of Music, London
  • Royal Albert Hall, London
  • Elgar Room, Royal Albert Hall, London
  • Royal Liverpool Philharmonic Hall, Liverpool
  • Concert Hall, Royal Northern College of Music, Manchester
  • Golden Concert Room, St George’s Hall, Liverpool
  • Recital Hall, Seoul Arts Centre, Seoul
  • Seymour Centre, University of Sydney, Sydney
  • Concert Hall, South Bank Centre, London
  • Steinway Hall, London
  • Concert Hall, Sydney Opera House
  • Opera Theatre, Sydney Opera House
  • Sydney Town Hall, Sydney
  • Tanglewood, MA
  • Theatre des Champs Elysees, Paris
  • Tyalgum Literary Institute Hall, Tyalgum, NSW
  • Verbrugghen Hall, Sydney Conservatorium of Music, Sydney
  • Wigmore Hall, London

Ambulant cemeteries

They are the ambulant cemeteries of their murdered friends; they carry their shrouds as their banner.”

Words of Manes Sperber from Et le Buisson devint Cendre (Paris, 1949), cited by Arthur Koestler in his essay in The God That Failed (Hamish Hamilton, London, 1950), page 64.

Recent Reading 19

The latest in a sequence of lists of recently-read books, listed in reverse chronological order.

  • Bill Browder [2022]: Freezing Order: A True Story of Russian Money Laundering, Murder,and Surviving Vladimir Putin’s Wrath. Simon and Schuster.
  • Bill Browder [2015]: Red Notice: A True Story of Corruption, Murder and One Man’s Fight for Justice. Bantam Press. A gripping and very well-written autobiography of William Browder, son of mathematician Felix (he of Browder’s Fixed Point theorem fame) and grandson of Earl Browder, onetime President of the CPUSA.
  • Duncan Mavin [2022]: The Pyramid of Lies: Lex Greensill and the Billion-Dollar Scandal. Macmillan. An account, mostly well-written, of the Greensill Capital affair. The company, started by Lex Greensill from a farming family of Bundaberg, Queensland, was based on the clever idea of reverse factoring of supply-chain invoices: lending against invoices from suppliers, not to the suppliers as in regular factoring, but to the receivers of the goods and services being supplied. The receivers are generally larger and more reputable, so the risk to the reverse factoring company should be less than for standard factoring.

    The book ends very quickly, without the depth or detail of the earlier chapters, as if the author suddenly became tired of writing.

  • Continue reading ‘Recent Reading 19’

Julia Gillard vs Tony Abbott 2012

I was reminded of this newspaper article by Charles Waterstreet on Julia Gillard’s powerful speech against misogyny in the Australian House of Representatives in October 2012. An excerpt:

Some men have been in too many scrums, too many boxing matches, have beaten their heads against too many walls. Of all the words in the whole wide world, Tony Abbott chose – deliberately, it would seem – to use the word ”shame” in his speech on the motion to sack Peter Slipper as speaker. Shame, with all the connotations Alan Jones wrapped around it clumsily weeks earlier, when referring to the Prime Minister’s dead father. Abbott’s use of ”shame” made Slipper’s description of women’s private parts look positively eloquent.

Continue reading ‘Julia Gillard vs Tony Abbott 2012’