Recent Reading 19

The latest in a sequence of lists of recently-read books, listed in reverse chronological order.

  • Bill Browder [2022]: Freezing Order: A True Story of Russian Money Laundering, Murder,and Surviving Vladimir Putin’s Wrath. Simon and Schuster.
  • Bill Browder [2015]: Red Notice: A True Story of Corruption, Murder and One Man’s Fight for Justice. Bantam Press. A gripping and very well-written autobiography of William Browder, son of mathematician Felix (he of Browder’s Fixed Point theorem fame) and grandson of Earl Browder, onetime President of the CPUSA.
  • Duncan Mavin [2022]: The Pyramid of Lies: Lex Greensill and the Billion-Dollar Scandal. Macmillan. An account, mostly well-written, of the Greensill Capital affair. The company, started by Lex Greensill from a farming family of Bundaberg, Queensland, was based on the clever idea of reverse factoring of supply-chain invoices: lending against invoices from suppliers, not to the suppliers as in regular factoring, but to the receivers of the goods and services being supplied. The receivers are generally larger and more reputable, so the risk to the reverse factoring company should be less than for standard factoring.

    The book ends very quickly, without the depth or detail of the earlier chapters, as if the author suddenly became tired of writing.

  • Continue reading ‘Recent Reading 19’

Poem: The Surfer

Another great poem by Judith Wright (1915-2000), clearly influenced by the sprung rhythm of Gerard Manley Hopkins (whose rhythm was influenced by the triple repetitions of Robert Southwell).  She captures here particularly well the change in mood of the Australian beach after sunset but before dark.

The Surfer
He thrust his joy against the weight of the sea;
climbed through, slid under those long banks of foam –
(hawthorn hedges in spring, thorns in the face stinging).
How his brown strength drove through the hollow and coil
of green-through weirs of water!
Muscle of arm thrust down long muscle of water;
and swimming so, went out of sight
where mortal, masterful, frail, the gulls went wheeling
in air as he in water, with delight.
Turn home, the sun goes down; swimmer, turn home.
Last leaf of gold vanishes from the sea-curve.
Take the big roller’s shoulder, speed and swerve;
come to the long beach home like a gull diving.
For on the sand the grey-wolf sea lies snarling,
cold twilight wind splits the waves’ hair and shows
the bones they worry in their wolf-teeth. O, wind blows
and sea crouches on sand, fawning and mouthing;
drops there and snatches again, drops again and snatches
its broken toys, its whitened pebbles and shells.

Reference:
Judith Wright [1971]: Collected Poems. Sydney, Australia: Angus and Robertson. Page 21. From The Moving Image, published 1946.

Poem: Pied Beauty

Following Times go by Turns by Robert Southwell last week, this week a poet greatly influenced by Southwell, and a fellow-Jesuit, Gerard Manley Hopkins (1844-1889).  One of Southwell’s syntactic innovations was repetition:  writing several nouns or phrases one after another, in order to add emphasis.  Hopkins does the same in Pied Beauty, another poem for this northern autumn season.

 
Glory be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trades, their gear and tackle and trim.
All things counter, original, spáre, strange;
Whatever is fickle, frecklèd (who knows how?)
With swíft, slów; sweet, sóur; adázzle, dím;
He fathers-forth whose beauty is pást change:
Práise hím.

 
The photo is by Rick Landry.