I have argued before that it is an abuse of power for major newspapers to run obituaries of obscure back-office staff, simply because they can. This is an abuse since a newspaper is a public organization, playing a very public role in public life, not some private family newsletter shared, like samizdat, between close relatives over kitchen coffee.
The Guardian now runs, as the cover story in its Saturday Review section, extracts from the piano-learning diary of its Editor, Alan Rusbridger. Perhaps there is nothing actually unethical about a major newspaper running long cover stories about its Editor’s private hobbies, and promoting his new book. But one has to ask: Is The Guardian now the private family newsletter of its Editor?
Awhile back, I posted some advice from my own experiences on doing a PhD. Since then, several people have asked me for advice about the viva voce (or oral) examination, which most PhD programs require at the end of the degree. Here are some notes I wrote for a candidate recently.
It is helpful to think about the goals of the examiners. In my opinion, they are trying to achieve the following goals:
1. First, they simply want to understand what your dissertation says. This means they will usually ask you to clarify or explain things which are not clear to them.
2. Then, they want to understand the context of the work. This refers to the previous academic literature on the subject or on related subjects, so they will generally ask about that literature. They may consider some topic to be related to your work which you did not cover; in that case, you would normally be asked to add some text on that topic.
3. They want to assess if the work makes a contribution to the related literature. So they will ask what is new or original in your dissertation, and why it is different from the past work of others. They will also want to be able to separate what is original from what came before (which is sometimes hard to do in some dissertations, due to the writing style of the candidate or the structure of the document). To the extent that Computer Science is an engineering discipline, and thus involves design, originality is usually not a problem: few other people will be working in the same area as you, and none of them would have made precisely the same sequences of design choices in the same order for the same reasons as you did.
4. They will usually want to assess if the new parts in the dissertation are significant or important. They will ask you about the strengths and weaknesses of your research, relative to the past work of others. They will usually ask about potential future work, the new questions that arise from your work, or the research that your work or your techniques make possible. Research or research techniques which open up new research vistas or new application domains are usually looked upon favourably.
5. Goals #3 and #4 will help the examiners decide if the written dissertation is worth receiving a PhD award, since most university regulations require PhD dissertations to present an original and significant contribution to knowledge.
6. The examiners will also want to assess if YOU yourself wrote the document. They will therefore ask you about the document, what your definitions are, where things are, why you have done certain things and not others, why you have made certain design choices and not others, etc. Some examiners will even give the impression that they have not read your dissertation, precisely to find out if you have!
7. Every dissertation makes some claims (your “theses”). The examiners will generally approach these claims with great scepticism, questioning and challenging you, contesting your responses and arguments, and generally trying to argue you down. They want to see if you can argue in favour of your claims, to see if you are able to justify and support your claims, and how you handle criticism. After all, if you can’t support your claims, no one else will, since you are the one proposing them.
The viva is not a test of memory, so you can take a copy of your thesis with you and refer to it as you wish. Likewise, you can take any notes you want. The viva is also not a test of speed-thinking, so you can take your time to answer questions or to respond to comments. You can ask the examiners to explain any question or any comment which you don’t understand. It is OK to argue with the examiners (in some sense, it is expected), but not to get personal in argument or to lose your temper.
The viva is one of the few occasions in a research career when you can have an extended discussion about your research with people interested in the topic who have actually read your work. Look forward to it, and enjoy it!
In WW II, the British military paid friendly nationals in neutral Sweden, Switzerland, and elsewhere to subscribe to provincial German newspapers in order to garner intelligence about life in Germany. Among other things, printed death notices were used to estimate casualty numbers in German military units, since particular units tended to recruit from particular regions; casualty rates were a means to assess the degree of success of Nazi military campaigns those units were involved in.
Let us hope now that Britain’s enemies are not reading provincial newspapers such as The Wiltshire Times (14 June 2011):
It is hard to believe that the central communications hub for the entire British Army sits unassumingly on the outskirts of the quiet Wiltshire market town of Corsham.
. . .
The centre, at Westwells Road, in Neston, is home to GOSCC – the Global Operations Security Control Centre – a top secret centre which houses up to 600 specialists working behind the scenes to make huge military operations such as those in Libya, Afghanistan and Iraq a reality.”
I guess not revealing the street number keeps the location of the top-secret centre safe.
Anthony Tommasini writes in the IHT on the trend to allow concert pianists to play from music, instead of playing recital solos and concertos from memory. A good thing too! While playing from memory is an impressive feat to watch, it certainly takes additional practice effort to achieve: I would rather good performers played more different music than that they played a smaller collection from memory.
I saw Angela Hewitt play the Bach 48 from memory in Cottonopolis a few years ago. At the first concert, a woman in the front row was reading from a miniature score. After the first few preludes and fugues, Ms Hewitt quietly asked the woman to put her score away, as the page turning was distracting. My guess is that the page-breaks were happening at places other than where Ms Hewitt had memorized. (As an aside, her performance was very good but her interpretations undermined by rubato. I prefer my Bach straight, not with flavoured mixers.)
Note: The hands shown are those of Szabo Daniel.
Lars Pålsson Syll on “orthodox, mainstream, neoclassical economics”:
Economic theory today consists mainly in investigating economic models.
Neoclassical economics has since long given up on the real world and contents itself with proving things about thought up worlds. Empirical evidence only plays a minor role in economic theory (cf. Hausman ), where models largely functions as a substitute for empirical evidence. But “facts kick”, as Gunnar Myrdal used to say. Hopefully humbled by the manifest failure of its theoretical pretences, the one-sided, almost religious, insistence on mathematical deductivist modeling as the only scientific activity worthy of pursuing in economics will give way to methodological pluralism based on ontological considerations rather than formalistic tractability.
If not, we will have to keep on wondering – with Robert Solow and other thoughtful persons – what planet the economic theoretician is on.” [page 54]
I agree with the general thrust of this essay, which resonates with some of my own thoughts on the Glass Bead Game of Economics, for example, here and here.
Mind you, I don’t agree with everything that Syll says in this essay. For example, he argues that good predictive capabilities require models to bear resemblance to their target domains. But we know many counter-examples to this claim, from Newton’s model of planetary motion to Friedman’s billiard players. Prediction and explanation are two orthogonal dimensions of a model, which may or may not be related in any particular case.
His essay also overlooks the fact the the so-called “real world” which is the target domain of economic models contains, at least in the case of macro-economics, mostly humanly-constructed artefacts, such as the “variables” known as inflation and unemployment rates. Having sat in working parties defining and redefining such artefacts, I am always surprised that any economist could possibly imagine they are modeling an independent reality.
Lars Pålsson Syll : What is (wrong with) economic theory? Real-world Economics Review, 55: 23-57.
The Rational Expectations model in economics assumes that each economic agent (whether an individual or a company) can predict the future as perfectly as the modelers themselves. To anyone living outside the rarified bubble of mathematical economics, this is simply ridiculous. It is clear that no one associated with that theory has ever made any real business decisions, or suffered their consequences.
Here is non-mainstream economist George Shackle, writing to Bryan Hopkins on 1980-08-20:
‘Rational expectations’ remains for me a sort of monster living in a cave. I have never ventured into the cave to see what he is like, but I am always uneasily aware that he may come out and eat me. If you will allow me to stir the cauldron of mixed metaphors with a real flourish, I shall suggest that ‘rational expectations’ is neo-classical theory clutching at the last straw.
Observable circumstances offer us suggestions as to what may be the sequel of this act or that one. How can we know what invisible circumstances may take effect in time-to come, of which no hint can now be gained? I take it that ‘rational expectations’ assumes that we can work out what will happen as a consequence of this or that course of action. I should rather say that at most we can hope to set bounds to what can happen, at best and at worst, within a stated length of time from ‘the present’, and can invent an endless diversity of possibilities lying between them. [Italics in original]
Of course, unlike John Muth or Robert Lucas, Shackle had actual real-world experience of investment decision-making from his experience during WW II on national infrastructure planning.
George L. S. Shackle : Letter to Bryan Hopkins. Quoted in: Stephen L. Littlechild : Reflections on George Shackle: Three Excerpts from the Shackle Collection. The Review of Austrian Economics, 16 (1): 113-117.