{"id":2638,"date":"2010-11-28T19:46:37","date_gmt":"2010-11-28T19:46:37","guid":{"rendered":"http:\/\/meeseeks:5080\/blog\/?p=2638"},"modified":"2022-01-18T16:19:27","modified_gmt":"2022-01-18T16:19:27","slug":"art-bridget-riley-at-the-national-gallery-london","status":"publish","type":"post","link":"https:\/\/vukutu.com\/blog\/2010\/11\/art-bridget-riley-at-the-national-gallery-london\/","title":{"rendered":"Art:  Bridget Riley at the National Gallery, London"},"content":{"rendered":"<p>I saw an exhibition of Bridget Riley&#8217;s work in a <a href=\"http:\/\/www.mca.com.au\/default.asp?page_id=12&amp;content_id=93\" target=\"_blank\" rel=\"noopener noreferrer\">career retrospective<\/a> of her work at Sydney&#8217;s <a href=\"http:\/\/www.mca.com.au\/\" target=\"_blank\" rel=\"noopener noreferrer\">Museum of Contemporary Art<\/a> some five years ago.&nbsp; With what great delight her paintings shimmered, danced and cavorted across the canvas before one&#8217;s very eyes, while the waters of the sunlit Harbour did the same through the MCA&#8217;s windows! &nbsp;&nbsp; I was reminded of this seeing the current, small exhibition of her work in the Sun-Lit Room at the <a href=\"http:\/\/www.nationalgallery.org.uk\/whats-on\/exhibitions\/bridget-riley\" target=\"_blank\" rel=\"noopener noreferrer\">National Gallery, London<\/a>.&nbsp; While &#8220;sunlit&#8221; is an aspirational term in London this week, her paintings, some of them painted directly onto the walls themselves, still dance before our eyes.&nbsp; Robert Melville, writing in the <em>New Statesman<\/em> in 1970, expressed it&nbsp; best: &nbsp; <em>\u201cNo painter, dead or alive, has ever made us more aware of our eyes than Bridget Riley.\u201d <\/em><br \/>\nMorton Feldman once said of the paintings of the abstract expressionists that they only perform for you as you leave them.&nbsp; &#8220;Not long ago Guston asked some friends, myself among them, to see his recent work at a warehouse.&nbsp; The paintings were like sleeping giants, hardly breathing.&nbsp; As the others were leaving, I turned for a last look, then said to him, &#8220;There they are.&nbsp; They&#8217;re up.&#8221; They were already engulfing the room.&#8221;&nbsp;&nbsp; (Feldman, p. 100, cited in Bernard, p. 182) Riley&#8217;s paintings are up and dancing before you even enter the room!&nbsp; What pleasure these paintings give, what delight one has just being in their company!<br \/>\n<em>References:<\/em><br \/>\nI have posted before about the art of the national treasure who is Ms Riley, <a href=\"..\/2009\/12\/bridget-riley-on-drawing-as-thinking\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<br \/>\nReviews of the NG exhibition here:&nbsp; <a href=\"http:\/\/www.guardian.co.uk\/culture\/2010\/nov\/27\/bridget-riley-national-gallery-review\" target=\"_blank\" rel=\"noopener noreferrer\">Hilary Spurling<\/a>, <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2010\/nov\/23\/bridget-riley-national-gallery-exhibition\" target=\"_blank\" rel=\"noopener noreferrer\">Maev Kennedy<\/a>, and <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2010\/nov\/22\/bridget-riley-paintings-related-works\" target=\"_blank\" rel=\"noopener noreferrer\">Adrian Searle<\/a>.&nbsp; &nbsp; And images from the Exhibition <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/gallery\/2010\/nov\/21\/bridget-riley\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<br \/>\nThe image above shows two assistants of Bridget Riley painting her work <em>Arcadia 1<\/em> directly onto the wall at the National Gallery. Photograph credit: The National Gallery.<br \/>\nMorton Feldman [1965]: Philip Guston:&nbsp; The last painter.&nbsp;&nbsp; <em>Art News Annual 1966<\/em> (Winter 1965).<br \/>\nJonathan W. Bernard [2002]:&nbsp; Feldman&#8217;s painters.&nbsp; pp. 173-215, in:&nbsp; Steven Johnson (Editor):&nbsp; <em>The New York Schools of Music and Visual Arts.<\/em> New York, NY, USA:&nbsp; Routledge.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I saw an exhibition of Bridget Riley&#8217;s work in a career retrospective of her work at Sydney&#8217;s Museum of Contemporary Art some five years ago.&nbsp; With what great delight her paintings shimmered, danced and cavorted across the canvas before one&#8217;s very eyes, while the waters of the sunlit Harbour did the same through the MCA&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,56],"tags":[],"class_list":["post-2638","post","type-post","status-publish","format-standard","hentry","category-art","category-music","p1","y2010","m11","d28","h19"],"_links":{"self":[{"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/posts\/2638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/comments?post=2638"}],"version-history":[{"count":1,"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/posts\/2638\/revisions"}],"predecessor-version":[{"id":10536,"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/posts\/2638\/revisions\/10536"}],"wp:attachment":[{"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/media?parent=2638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/categories?post=2638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vukutu.com\/blog\/wp-json\/wp\/v2\/tags?post=2638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}