The photos are of Ely Chapel, St Etheldreda’s Church, a 13th century church once the London chapel of the Bishops of Ely, Cambridgeshire. It is the only surviving London building from the reign of Edward I (1239-1307). Although a Roman Catholic church again since 1874, in 1836-7, it was an Anglican Church, in the care of Alexander d’Arblay. After its purchase in 1874, the church and crypt were restored by noted architect George Gilbert Scott.
Thomas Harriott (1560-1621)
Robert Southwell SJ (c.1561-1595)
Kit Marlowe (1564-1593)
Henry Wriothesley (1573-1624)
Charles Diodati (c.1608-1638)
Nicolas Fatio de Duillier (1664-1753)
Edward Francisco Burney (1760-1848)
Alexander d’Arblay (1794-1837)
Eduard Rietz (1802-1832)
Arthur Hallam (1811-1833)
Matthew Piers Watt Boulton (1820-1894)
Henry Horton McBurney (1843-1875)
Marian “Clover” Hooper Adams (1843-1885)
Lafcadio Hearn (1850-1904)
Warwick Potter (1870-1893)
Joseph Trumbull Stickney (1874-1904)
Jan Letzel (1880-1925)
David Kammerer (1911-1944)
John Medill McCormick (1916-1938)
Lucien Carr (1925-2005)
Why do we read? Many people seem to assume that the only reason for reading is to obtain information about the world. With this view, reading fiction is perhaps hard to justify. But if one only reads to learn new facts, then one’s life is impoverished and Gradgrindian. Indeed, this reason strikes me as like learning to play the trumpet in order to have a means to practice circular breathing.
In fact, we read for many other reasons than just this one. One could say we primarily read novels for the pleasure that reading them provides:
- the pleasure of reading poetic text (as in the novels of Hardy, Joyce or Faulkner, for instance)
- the pleasure of reading elegant, finely-crafted prose (eg, Fanny Burney, Doris Lessing, Perec, Brautigan)
- the pleasure of engaging in deductive reasoning (any detective or espionage novel)
- the pleasure of imagining alternative societal futures (scifi), presents (political thrillers, espionage novels), or pasts (historical fiction)
- the pleasure of being scared (crime thrillers, horror stories)
- or the pleasure of parsing an intricate narrative structure (eg, Calvino, Fowles, Murnane, Pynchon).
These various pleasures are very distinct, and are orthogonal to the desire to gain information about the world. And some of these pleasures may also be gained from reading non-fiction, for example the finely-honed journalism of AJ Liebling or Christopher Hitchens, or the writing of Oliver Sacks, who passed on today.
An article from the Sydney Morning Herald of 1924, about the introduction of buffaloes to Australia in 1857, an adventure involving both a great-great-grandfather and a great-great-great-grandfather of mine. I wonder if the ship mentioned below, the Florence Street, was named after a member of the illustrious Street Family of New South Wales.
To the late Captain Peverley, of Balmain, belongs the credit of having introduced the buffalo to Northern Australia, though he did so indirectly in a measure, when the good barque the Florence Street became a total wreck on the northern coast, not very far from where Wyndham now stands.
Captain Peverley, ship master and ship owner had, when he settled in Balmain, 28 ships of various sizes and capacities; he always boasted that not one was a “coffin ship”, and that he himself would sail on them in any sea, in any weather, and he would add as climax that he would give a first-rate rope’s ending to any of his crew, who dared to complain or say otherwise. He was a true type of the ship’s master of the old windjammer days, days when Sydney Harbour was crowded with sailing craft of all kinds, the days of the middle and late ‘fifties, when the gold fever had reached its crisis after the astonishing yields from Bendigo and Ballarat.
Continue reading ‘Australian Buffaloes’
This post is a history of the family of Charles Burney FRS (1726-1814), musician and musicologist, and his ancestors and descendants.
Sir MacBurney was one of the 60 Knights who participated in a jousting tournament, supervised by Geoffrey Chaucer on the orders of Richard II, held at Smithfield in London in 1390.
One James Macburney is said to have come south to London from Scotland with King James I and VI in 1603. His descendant (likely a grandson), also James Macburney, was born around 1653 and had a house in Whitehall. His son, also called James Macburney (1678-1749), was born in Great Hanwood, Shropshire, around 1678, and attended Westminster School in London. In 1697, he eloped with Rebecca Ellis, against his father’s wishes. As a consequence, the younger James was not left anything when his father died. The younger man’s stepbrother, Joseph Macburney (born of a second wife) was left the entire estate of their father.
This younger James Macburney (1678-1749) was a dancer, violinist and painter, and was supposedly a wit and bon viveur. He and Rebecca Ellis had 15 children over 20 years, of whom 9 survived into adulthood. By 1720, he had moved to Shrewsbury, and Rebecca had died. He married again, to Ann Cooper, who apparently brought money to the union which helped her somewhat feckless husband. This second marriage produced 5 further children, among whom were Richard Burney (1723-1792) (christened “Berney”). The last two children were twins, Charles Burney (1726-1814) and Susanna (1726-1734?), who died at the age of 8. Their father James had apparently dropped the prefix “Mac” around the time of the birth of the twins.
One of Charles’ half-brothers was James Burney (1710-1789), who was organist at St. Mary’s Church, Shrewsbury, for 54 years, from 1732 to 1786. Charles Burney worked as his assistant from 1742 until 1744.
For a period, Charles Burney and his family lived in Isaac Newton’s former house at 35 St Martin’s Street, Leicester Square, London. Among Charles’ children were:
- Esther Burney (1749-1832), harpsichordist, who married her cousin Charles Rousseau Burney (1747-1819), also a keyboardist and violinist.
- Rear Admiral James Burney RN FRS (1750-1821), naval historian and sailor, who twice sailed around the world with Captain James Cook RN.
- Fanny Burney, later Madame d’Arblay (1752-1840), novelist and playwright.
- Rev. Charles Burney FRS (1757-1817), classical scholar.
- Charlotte Ann Burney, later Mrs Broome (1761-1838), novelist.
- Sarah Harriet Burney (1772-1844), novelist.
Charles’ nephew, Edward Francisco Burney (1760-1848), artist and violinist, was a brother to Charles Rousseau Burney, both sons of Richard Burney (1723-1792), Charles’s elder brother. This is a self-portrait of Edward Francisco Burney (Creative Commons License from National Portrait Gallery, London):
In 1793, Fanny Burney married Alexandre-Jean-Baptiste Piochard D’Arblay (1754-1818), an emigre French aristocrat and soldier, and adjutant-general to Lafayette. Their son, Alexander d’Arblay (1794-1837), was a poet and keen chess-player, and was 10th wrangler in the Mathematics Tripos at Cambridge in 1818, where he was a friend of fellow-student Charles Babbage. He was also a member of Babbage’s Analytical Society (forerunner of the Cambridge Philosophical Society), which sought to introduce modern analysis, including Leibnizian notation for the differential calculus, into mathematics teaching at Cambridge. d’Arblay was ordained and served as founding minister of Camden Town Chapel (later the Greek Orthodox All Saints Camden) from 1824-1837, and then served briefly at Ely Chapel in High Holborn, London. The founding organist at Camden Town Chapel was Samuel Wesley (1766-1837).
Not everyone was a fan of clan Burney. Here is William Hazlitt:
“There are whole families who are born classical, and are entered in the heralds’ college of reputation by the right of consanguinity. Literature, like nobility, runs in the blood. There is the Burney family. There is no end of it or its pretensions. It produces wits, scholars, novelists, musicians, artists in ‘numbers numberless.’ The name is alone a passport to the Temple of Fame. Those who bear it are free of Parnassus by birthright. The founder of it was himself an historian and a musician, but more of a courtier and man of the world than either. The secret of his success may perhaps be discovered in the following passage, where, in alluding to three eminent performers on different instruments, he says: ‘These three illustrious personages were introduced at the Emperor’s court,’ etc.; speaking of them as if they were foreign ambassadors or princes of the blood, and thus magnifying himself and his profession. This overshadowing manner carries nearly everything before it, and mystifies a great many. There is nothing like putting the best face upon things, and leaving others to find out the difference. He who could call three musicians ‘personages’ would himself play a personage through life, and succeed in his leading object. Sir Joshua Reynolds, remarking on this passage, said: ‘No one had a greater respect than he had for his profession, but that he should never think of applying to it epithets that were appropriated merely to external rank and distinction.’ Madame d’Arblay, it must be owned, had cleverness enough to stock a whole family, and to set up her cousin-germans, male and female, for wits and virtuosos to the third and fourth generation. The rest have done nothing, that I know of, but keep up the name.” (On the Aristocracy of Letters, 1822).
K. S. Grant: ” Charles Burney”, Grove Music Online. (Accessed 2006-12-10.)
POST MOST RECENTLY UPDATED: 2014-08-30.
The photo shows the Greek Orthodox Cathedral of All Saints, at the corner of Pratt and Camden Streets in Camden, London. Before becoming an Orthodox Chuch in 1948, the building was an Anglican Church, most recently All Saints Camden. The building was designed by William Inwood and his son Henry Inwood in 1822-24, who had together earlier designed St. Pancras New Church in Euston, London. Both churches borrow from ancient Greek architecture, so it is fitting that one is now filled with Greek icons and text, and used for services in (modern) Greek. All Saints has a low-set but very deep choir balcony, extending from the entrance almost one-third the length of the church; this gives the church a quite intimate feel, despite the height of the main chapel. The current cathedral also has three large, low-hanging white glass chandeliers over the main chapel, which enhances the intimacy. I was reminded of the intimacy of Lloyd Wright’s Unity Temple in Chicago, a building which is similarly deceptive from the outside about the compactness of the space within.
When built, All Saints was called Camden Town Chapel, and its founding pastor was the Rev’d Alexander Charles Louis d’Arblay (1794-1837), son of the author Fanny Burney (1752-1840) and Alexandre-Jean-Baptiste Piochard D’Arblay (1754-1818), emigre French aristocrat and soldier, and adjutant-general to Lafayette. The Reverend d’Arblay was a poet and chess-player, and had been 10th wrangler in the Mathematics Tripos at Cambridge in 1818. He was a friend of fellow-student (but non-wrangler) Charles Babbage and of Senior Wrangler (1813) John Herschel, and a member of Babbage’s Analytical Society (forerunner of the Cambridge Philosophical Society). Indeed, d’Arblay may have introduced Babbage to recent French mathematics. Alexander had been partly educated in France, and was aware of French trends in analysis, which in its rigour and formality was very different to the applied focus of British mathematics. From his time as an undergraduate, Babbage ran a campaign against the troglodytic British mathematics establishment, who were then opposed to rigour, formality and theory, and he sought to introduce modern analysis into mathematics teaching at Cambridge. British pure mathematics, as better mathematicians than I have argued, lost a century of progress as a result of its focus on certain types of applications at the expense of rigour.
Because of his First-Class degree, after his graduation d’Arblay was appointed a Fellow of Christ College Cambridge, which paid him a generous stipend his entire life (presumably while he remained unmarried). He had a remarkable ability to quickly learn and recite from memory long poems, and was obsessed with chess. He once missed an arranged meeting with his father when the latter was returning to France because he was engrossed in a chess game with his uncle, the admiral James Burney. d’Arblay was apparently bilingual, and wrote equally easily in English and French, and translated poetry and literary works from each language to the other. d’Arblay was ordained as a Church of England deacon in 1818, and as a priest on 11 April 1819 in St James’s Picadilly. In the summer of 1821, he spent three months walking in Switzerland with Babbage and Herschel. Through his mother, he was friends with the royal family and moved in high society. For many years he was close friends with Mrs Clara Bolton (nee Clarissa Marion Verbeke) (1804-1839), who was, for a period, also a very close friend (and rumoured mistress) of the young Benjamin Disraeli. She was the wife of George Buckley Bolton ( -1847), who was the Disraeli family doctor.
Ordained Reverend d’Arblay, d’Arblay served as minister of Camden Town Chapel from 1824-1837, and then briefly at Ely Chapel in High Holborn, London. He died of tuberculosis still unmarried, although engaged at the time of death to one Mary Anne Smith. Thaning  argues that d’Arblay was in unrequited love with Mrs Bolton, and that he proposed to her, unsuccessfully, shortly before becoming engaged to Mary Anne Smith. The evidence Thaning presents for this claim, however, is not compelling. Miss Smith became good friends with Madame d’Arblay, and lived with her after Alexander’s death.
Some of d’Arblay’s poetry is on the subject of chess. As the son of Fanny Burney, d’Arblay was the grandson of musician, composer and musicologist Charles Burney FRS (1726-1814), and thus from a remarkable family that included musicians, dancers, novelists, painters, historians, and an admiral.
Alongside d’Arblay, the founding organist at Camden Town Chapel was Samuel Wesley (1766-1837).
An index to posts about the Matherati is here.
POSTSCRIPT 1 [2011-12-24]: I have now seen d’Arblay’s poem, “Caissa Rediviva”, published anonymously in 1836. This is a long poem about a chess game. If there were any doubts about d’Arblay’s membership of the Matherati, this publication would allay them: The frontispiece to the poem poses a non-standard chess problem, which only someone with a subtle and agile mathmind could imagine: Given a particular chess board-configuration, find the precise sequence of 59 moves by White, each of which forces a single move by Black, and which ends with Black check-mating White with a particular move.
POSTSCRIPT 2 [2012-02-18]: Apparently, the Reverend d’Arblay suffered severely from depression for most of his adult life. Peter Sabor, in a recent talk at a conference in depression in the 18th century argues that d’Arblay’s depression may have arisen from his combination of great (and unrealistic) ambition and great indolence. But, of course, his apparent indolence may have been the result, not the cause, of his depression.
POSTSCRIPT 3 [2012-02-18]: d’Arblay was not the last member of the Matherati to become engrossed in intellectual pursuits. The most recent Senior Wrangler at Cambridge, Sean Eberhard (Tripos 2011), is described by his fellow collegians as, “most likely to neglect children to do crossword”.
POSTSCRIPT 4 [2017-11-11]: Clara Bolton is briefly mentioned (pages 68 and 78, footnote 61) as a friend and possible mistress of Benjamin Disraeli (1804-1881) by St. George  in his fascinating history of the law firm, Norton Rose (now Norton Rose Fulbright). However, St. George seems to have conflated Mrs Bolton with another close friend and possible mistress of Disraeli, Henrietta, Lady Sykes (c.1801-1846), wife of Sir Francis Sykes (1799-1843), third Baronet of Basildon.
An Amateur at Chess [Alexander C. L. d’Arblay] : Caissa Rediviva: Or the Muzio Gambit. London, UK: Sampson Low.
Peter Sabor : Frances Burney and Alexander d’Arblay: Creative and Uncreative Gloom. Invited Lecture at: Conference on Before Depression: 1600 – 1800.
Andrew St. George : A History of Norton Rose. London, UK: Granta Editions.
Kaj Thaning : Hvem var Clara? Grundtvig Studier, 37 (1).
The philosopher George Santayana (1863-1952), whom I have written about before, was fortunate to have two families, one Spanish and one American. His mother was a widow when she married his father, and his parents later preferred to live in different countries – the USA and Spain, respectively. Santayana therefore spent part of his childhood with each, and accordingly grew up knowing his Bostonian step-family and their cousins, relatives of his mother’s first husband, the American Sturgis family. Among these relatives, his step-cousin Susan Sturgis (1846-1923) is mentioned briefly in Santayana’s 1944 autobiography (page 80). (See Footnote #1 below.)
Susan Sturgis was married twice, the second time in 1876 to Henry Bigelow Williams (1844-1912), a widower and property developer. In 1890, Williams commissioned a stained glass window from Louis Tiffany for the All Souls Unitarian Church in Roxbury, Massachusetts (pictured below), to commemorate his first wife, Sarah Louisa Frothingham (1851-1871).
The first marriage of Susan Sturgis was in 1867, to Henry Horton McBurney (1843-1875). McBurney’s younger brother, Charles Heber McBurney (1845-1913) went on to fame as a surgeon, developer of the procedure for diagnosis of appendicitis and removal of the appendix. The normal place of incision for an appendectomy is known to every medical student still as McBurney’s Point. The portrait below of Charles Heber McBurney was painted in 1911 by Ellen Emmet Rand (1875-1941), and is still in the possession of the McBurney family. (The painting is copyright Gerard McBurney 2013. As Ellen Emmet married William Blanchard Rand in 1911, this is possibly the first painting she signed with her married name.)
Charles H. McBurney was also a member of the medical team which treated US President William McKinley following his assassination. He and his wife, Margaret Willoughby Weston (1846-1909), had two sons, Henry and Malcolm, and a daughter, Alice. The younger son, Malcolm, also became a doctor and married, having a daughter, but he died young. Alice McBurney married Austen Fox Riggs (1876-1940), a protege of her father, Charles, and a pioneer of psychiatry. He founded what is now the Austen Riggs Centre in Stockbridge, MA, in 1907. They had two children, one of whom, Benjamin Riggs (c.1914-1992), was also a distinguished psychiatrist, as well as a musician, sailor, and boat builder. The elder son of Charles and Margaret, Henry McBurney (1874-1956), was an engineer whose own son, Charles Brian Montagu McBurney (1914-1979), became a famous Cambridge University archaeologist. CBM’s children are the composer Gerard McBurney, the actor/director Simon McBurney OBE, and the art-historian, Henrietta Ryan FLS, FSA. CBM’s sister, Daphne (1912-1997), married Richard Farmer. Their four children were Angela Farmer, a yoga specialist, David Farmer FRS, a distinguished oceanographer, whose daughter Delphine Farmer, is a chemist, Michael Farmer, painting conservator, and Henry Farmer, an IT specialist, whose son, Olivier Farmer, is a psychiatrist.
Henry H. and Charles H. had three sisters, Jane McBurney (born 1835 or 1836), Mary McBurney (1839- ), Almeria McBurney (who died young), and another brother, John Wayland McBurney (1848-1885). They were born in Roxbury, MA, to Charles McBurney and Rosina Horton; Charles senior (1803 Ireland – Boston 1880) was initially a saddler and harness maker in Tremont Row, Boston – the image above shows a label from a trunk he made. Later, he was a pioneer of the rubber industry, for example, receiving a patent in 1858 for elastic pipe, and was a partner in the Boston Belting Company. It is perhaps not a coincidence that Charles junior pioneered the use of rubber gloves by medical staff during surgery. All three boys graduated from Harvard (Henry in 1862, Charles in 1866, and John in 1869). John married Louisa Eldridge in 1878, and they had a daughter, May (or Mary) Ruth McBurney (1879-1947). May married William Howard Gardiner Jr. (1875-1952) in 1918, and on her death left an endowment to Harvard University to establish the Gardiner Professor in Oceanic History and Affairs to honour her husband. John worked for his father’s company and later in his own brokerage firm, Barnes, McBurney & Co; he died of tuberculosis.
Mary (or Mamie) McBurney married Dr Barthold Schlesinger (1828-1905), who was born in Germany of a Jewish ethnic background, and immigrated to the USA possibly in 1840, becoming a citizen in 1858. For many years, from at least 1855, he was a director of a steel company, Naylor and Co, the US subsidiary of leading steel firm Naylor Vickers, of Sheffield, UK. Barthold’s brother, Sebastian Benson Schlesinger (1837-1917), was also a director of Naylor & Co from 1855 to at least 1885; he was also a composer, mostly it seems of lieder and piano music; some of his music has been performed at the London Proms. At the time, Naylor Vickers were renowned for their manufacture of church bells, but in the 20th century, under the name of Vickers, they became a leading British aerospace and defence engineering firm; the last independent part of Vickers was bought by Rolls-Royce in 1999. Mary and Barthold Schlesinger appear to have had at least five children, Mary (1859- , married in 1894 to Arthur Perrin, 1857- ), Barthold (1873- ), Helen (1874- , married in 1901 to James Alfred Parker, 1869- ), Leonora (1878- , married in 1902 to James Lovell Little, c. 1875- ), and Marion (1880- , married in 1905 to Jasper Whiting, 1868- ). The Schlesingers owned an estate of 28 acres at Brookline, Boston, called Southwood. In 1879, they commissioned landscape architect Frederick Law Olmstead (1822-1903), the designer of Central Park in New York and Prospect Park in Brooklyn, to design the gardens of Southwood; some 19 acres of this estate now comprises the Holy Transfiguration Monastery, of the Greek Orthodox Church of North America. The Schlesingers were lovers of art and music, and kept a house in Paris for many years. An 1873 portrait of Barthold Schlesinger by William Morris Hunt (1824-1879) hangs in the Museum of Fine Arts in Boston.
While a student at Harvard, Henry H. McBurney was a prominent rower. After graduation, he spent 2 years in Europe, working in the laboratories of two of the 19th century’s greatest chemists: Adolphe Wurtz in Paris and Robert Bunsen in Heidelberg. Presumably, even Harvard graduates did not get to spend time working with famous chemists without at least strong letters of recommendation from their professors, so Henry McBurney must have been better than average as a chemistry student. He returned to Massachusetts to work in the then company, Boston Elastic Fabric Company, of his father, and then, from November 1866, as partner for another firm, Campbell, Whittier, and Co. From what I can discover, this company was a leading engineering firm, building in 1866 the world’s first cog locomotive, for example, and, from 1867, manufacturing and selling an early commercial elevator. Henry H. and Susan S. McBurney had three children: Mary McBurney (1867- , in 1889 married Frederick Parker), Thomas Curtis McBurney (1870-1874), and Margaret McBurney (1873-, in 1892 married Henry Remsen Whitehouse). Mary McBurney and Frederick Parker had five children: Frederic Parker (1890-), Elizabeth Parker (1891-), Henry McBurney Parker (1893-), Thomas Parker (1898.04.20-1898.08.30), and Mary Parker (1899-). Margaret McBurney and Henry Whitehouse had a daughter, Beatrix Whitehouse (1893-). The name “Thomas” seems to have been ill-fated in this extended family.
HH died suddenly in Bournemouth, England, in 1875, after suffering from a lung disease. As with any early death, I wonder what he could have achieved in life had he lived longer.
POSTSCRIPT (Added 2011-11-21): Henry H. McBurney’s visit to the Heidelberg chemistry lab of Robert Bunsen is mentioned in an account published in 1899 by American chemist, Henry Carrington Bolton, who also worked with Bunsen, and indeed with Wurtz. Bolton refers to McBurney as “Harry McBurney, of Boston” (p. 869).
POSTSCRIPT 2 (Added 2012-10-09): According to the 1912 Harvard Class Report for the Class of 1862 (see Ware 1912), Henry H. McBurney spent the year from September 1862 in Paris with Wurtz and the following year in Heidelberg with Bunsen. He therefore presumably just missed meeting Paul Mendelssohn-Bartholdy (1841-1880), son of composer Felix, who graduated in chemistry from Heidelberg in 1863. PM-B went on to co-found the chemicals firm Agfa, an acronym for Aktien-Gesellschaft für Anilin-Fabrikation. I wonder if Paul Mendelssohn-Bartholdy ever returned to visit Bunsen in the year that Henry McBurney was there.
POSTSCRIPT 3 (Added 2013-01-20): I am most grateful to Gerard McBurney for the portrait of Charles H. McBurney, and for additional information on the family. I am also grateful to Henrietta McBurney Ryan for information. All mistakes and omissions, however, are my own.
NOTE: If you know more about any of the people mentioned in this post or their families, I would welcome hearing from you. Email: peter [at] vukutu.com
Henry Carrington Bolton : Reminiscences of Bunsen and the Heidelberg Laboratory, 1863-1865. Science, New Series Volume X (259): 865-870. 15 December 1899. Available here.
George Santayana : Persons and Places: The Background of My Life. (London, UK: Constable.) (New York, USA: Charles Scribner’s Sons.)
Charles Pickard Ware (Editor) : 1862 – Class Report – 1912. Class of Sixty-Two. Harvard University. Fiftieth Anniversary. Cambridge, MA, USA, Available here.
1. Santayana writes as follows about Susan Sturgis Williams (Santayana 1944, page 74 in the US edition):
Nothing withered, however, about their sister Susie, one of the five Susie Sturgises of that epoch, all handsome women, but none more agreeably handsome than this one, called Susie Mac-Burney and Susie Williams successively after her two husbands. When I knew her best she was a woman between fifty and sixty, stout, placid, intelligent, without an affectation or a prejudice, adding a grain of malice to the Sturgis affability, without meaning or doing the least unkindness. I felt that she had something of the Spanish feeling, So Catholic or so Moorish, that nothing in this world is of terrible importance. Everything happens, and we had better take it all as easily or as resignedly as possible. But this without a shadow of religion. Morally, therefore, she may not have been complete; but physically and socially she was completeness itself, and friendliness and understanding. She was not awed by Boston. Her first marriage was disapproved, her husband being an outsider and considered unreliable; but she weathered whatever domestic storms may have ensued, and didn’t mind. Her second husband was like her father, a man with a checkered business career; but he too survived all storms, and seemed the healthier and happier for them. They appeared to be well enough off. In her motherliness there was something queenly, she moved well, she spoke well, and her freedom from prejudice never descended to vulgarity or loss of dignity. Her mother’s modest solid nature had excluded in her the worst of her father’s foibles, while the Sturgis warmth and amiability had been added to make her a charming woman.”
POST MOST RECENTLY UPDATED: 2013-03-26.